坐在久世政近邻桌的艾莉同学，看政近的目光总是很冷淡。然而她又时不时地用俄语向他表露心意……而这些话语从未被政近错过。原来，政近其实有着母语级别的俄语听力！！艾莉同学对此一无所知，时不时地说着真心话。政近明明能听懂她的心意，却要装作听不懂。令人止不住嘴角上扬的恋爱故事究竟会如何发展？！

Ellie’s Eye is an essay-video comprising found and original footage. Ellie is the name of an AI therapist in development at the time of writing, as well as the name of one of the dogs featured in the work. Dogs and AI avatars are similar in that both are dependent on humans. Ellie's Eye examines how technologies invented for medical treatment relate to the human desire to see through, and into—such as x-rays, through-wall movement sensing, and AI-assisted psychotherapy. In the process, the work intertwines facts and fiction about the eye, eyesight, and the act of seeing. Medical scans and image technologies, tools that produce evidence of physical health or the lack thereof, have made rapid progress in the recent past; meanwhile, technologies for mental diagnosis are also developing at a similarly fast pace. This work interrogates how future societies and technologies can approach psychological issues of different individuals, and whether we are objectifying the human psyche itself.

Ellie’s Eye is an essay-video comprising found and original footage. Ellie is the name of an AI therapist in development at the time of writing, as well as the name of one of the dogs featured in the work. Dogs and AI avatars are similar in that both are dependent on humans. Ellie's Eye examines how technologies invented for medical treatment relate to the human desire to see through, and into—such as x-rays, through-wall movement sensing, and AI-assisted psychotherapy. In the process, the work intertwines facts and fiction about the eye, eyesight, and the act of seeing. Medical scans and image technologies, tools that produce evidence of physical health or the lack thereof, have made rapid progress in the recent past; meanwhile, technologies for mental diagnosis are also developing at a similarly fast pace. This work interrogates how future societies and technologies can approach psychological issues of different individuals, and whether we are objectifying the human psyche itself.

本片由著名男优闵度允和性感女神李采潭主演，片中闵度允饰演的男主角是一名投资理财的能手，他联系了曾经的女同学一起聚会，这些昔日的同学如今都变成了一个个小富婆，不仅有钱，由于丈夫工作的繁忙而疏忽，她们也是一个个寂寞的小少妇，闵度允不仅将她们骗来投资自己的赚钱，还将她们一个个分别骗上了床，花言巧语的哄骗之下，女人们纷纷宽衣解带，还为他的项目投入了大量的钱财，万万没想到，他却是一个骗财骗色之徒……

苏联电影史上第一部科幻片，根据阿·托尔斯泰的同名小说改编，讲述住在莫斯科的男主角收到一条神秘信息后打造宇宙飞船，前往火星营救独裁者之女艾莉塔的幻想故事。俄罗斯电影奠基人之一的电影大师雅科夫·普罗塔扎诺夫执导此片，影片上映后在苏联遭到了批评，但在欧美等地却获得了票房成功，片中建构主义式的场景设计和豪华先锋的服装造型直接启发了弗利茨·朗的《大都会》。本片先后有过多个不同的修复版本，2018年，澳大利亚国家视听档案馆将此片进行了基础性的4K数字化，数字拷贝于同年6月的墨尔本演奏中心首映。

All Elli wanted was a family to love. But finding one turns out to be a ghostly affair.

All Elli wanted was a family to love. But finding one turns out to be a ghostly affair.

影片概述 . . . . . . 　　二十多个同学的回顾，追溯了三十年的个人历史；一个个随机截取的普通日子，对应着自然和生命的四季。1978年，当这些大都是矿工后代的同学，从陕西铜川三里洞煤矿中学毕业时，他们即将展开的人生之路与中国的改革开放同步。沉浮在大时代的变革中，有着太多的理想失落与妥协，也有着不屈不挠的挣扎和坚守。三十年后，林鑫再次走近当年的同学们，记录了他们当下各自不同的生存状态和生命历程。平淡中的安逸、喧嚣中的孤独、富足后的厌倦、贫困里的无奈，都一一绽放在这群鲜活的生命中，成为这一时期中小城市大多数普通人生活的一个缩影，同时也辉映着这样一个高歌猛进的时代。 　　Twenty plus classmates look back into the past, tracing back through a 30 year history. One after another adapts to the random events that come to shape their lives, to the four seasons of life and nature. These descendants of mine workers graduated in 1978 from Tongchuan Coal Mine Middle School in Sha’anxi. The years they were about experience coincided with the reforms and opening up of China. Floating in the changes of the new era, some experience compromises and the loss of ideals, whilst some keep struggling ahead with great determination. Thirty years later, Lin Xin encounters his old classmates, and records their individual lives and history; the ease of monotony, the loneliness of　success, the weariness of a life of plentiful, the helplessness of poverty… all come forth in the lives of these group of people, becoming an epitome of the lives of ordinary people in small to middle-sized cities in this era, and at the same time reflecting on a generation that advances forward undefeated. 　　导演阐述 . . . . . . 　　作为铜川三里洞煤矿中学高七八级的一员，一直挣扎在谋生与艺术创作冲突的双重疲惫中。大多数同学依然生活在这座城市，并拥有各自不同的人生际遇和命运。时代的烙印凝成个体生命的轨迹，岁月的沧桑蒙在曾经青春的脸上，我再次和他们一一相遇。我的预期在拍摄中不断地被现实修正，生活带给我的震撼超出了我的想象。我接受命运的摆布，在这些偶然或必然相遇的同学的普通一天中，记录下他们的生活经历与生存状态，感知着生命的柔弱和坚韧。他们的欢乐和痛苦、希望和无奈，都不断加深着我对生活的理解，以及对这个时代的认知。 　　As as a 1978 grade student at the Sanlitong Coal Mine Middle School of Tongchuan, I struggled between the twofold consuming conflict of making a living and artistic creativity. Most of my old classmates still live in that same city, each living their spells of good and bad fortune and their different destinies. The imprints of the era congeal into individual trajectories, and the vicissitudes of life come to put a veil on their once young faces… I once again come to meet with each of them. My expectations are constantly rectified by reality during the filming, many things exceeding my imagination. I come to accept the manipulation of fate. Whether fortuitously or inevitably, I’ve come to meet them again and record their life experiences and their situations, perceiving through this the frailty and tenaciousness of life. Their happiness and sorrows, hopes and despair, all continually deepen my understanding of life, as well as my knowledge of this generation. 　　获得奖项 . . . . . . 　　第六届中国纪录片交流周

奥斯汀·穆尔（Austin Moon）是一名住在迈阿密有着明星梦的男孩，有着明星架势和歌喉。艾莉·道森（Ally Dawson）是一名内向的女孩，喜欢音乐创作，却畏惧舞台。在一个偶然的契机下，歌手奥斯汀唱了艾莉的创作，开启了两人的合作生涯，艾莉于是开始替奥斯汀写歌。两人合组乐团，往自己的音乐梦迈进，一路上过关斩将发生了各种趣事。

这支沃尔沃的全新故事片由曾数度获得重要广告大奖的台湾著名广告导演罗景壬拍摄，演员张钧甯和梁修身、梁正群父子出演。讲述了一段由“婚礼”为线索牵出的父女情深的故事。 　　小时候，她是父亲宠爱下的小公主，是大人们婚礼上的“专职”花童。父亲为她创造了安逸温暖的成长环境，让她的儿时恍如童话。长大后，患病的父亲成了需要照顾的大孩子，在关心父亲的过程中，她为自己和父亲书写了新的童话。这一次，不再是花童的女孩，终于走在为自己铺就的红地毯上。所幸，当初牵着自己的那个人，还在身边。